Mentors, Influencers, and Informal Teachers

Bisti Badlands at sunset, Photo by Kerrick James

I’ve been thinking recently about how, without formal photography education, I’ve continued to learn and stay current.  I’ve had the great fortune to work and study with a variety of photographers in venues as diverse as in-person workshops and on-line trainings.  These relationships offer the ultimate in custom, often one-on-one learning experiences, and often lead to life-long friendships.

I’d like to share a few words about some of those relationships.  I’ll pair my thoughts with images inspired, one way of another, by the teachers.

I’ve left a few significant examples out because the circumstances of the interactions are best not shared.  There’s always something to be learned, even if by mis-example.

 

High-key Portrait from Marrakech

Do you remember Lynda.com?  It was an online learning platform for diverse topics.  I started taking courses from Chris Orwig (at the time he was teaching at Brooks Institute in Santa Barbara) on Adobe software around 2008.  I think I started with CS3. He had a terrific way of clarifying Lightroom and Photoshop and sometimes included some thoughts on portraiture.  He’s known for high-key portraits, especially in the local surfing community, and I admire his style very much.

 

Emerald Cave, AZ, Named by Kerrick James.  This is his composition, but I couldn't resist

I can’t overstate what a terrific mentor I have in Kerrick James.  He’s one of the few photographers I know who can make a living in travel and lifestyle photography and is a go-to photographer and writer for a number of major publications.  I’ve travelled with him, as a guide and socially, and he helped me get involved with local publications and with the nonprofit Through Each Other’s Eyes, which we both work with today.  Among other things, Kerrick has taught me about adventure, bravery, and packing big experiences into short trips.

Rock Creek Arch (which, sadly, collapsed last year), Lake Powell

I've had the pleasure of Gary Ladd's company and wisdom in a number of places, but mostly on Lake Powell.  I'm thinking there have been five houseboat trips into this place which is as familiar to him as his backyard, largely because that's what it is.  Gary is soft-spoken, until he has one too many yoo-hoos and gets delightfully silly.  He leads quietly by example and is unequalled in finding just the right spot at the right time.

Kee Etsicitty, Navajo Nation Fair

Mostly, I know LeRoy DeJolie from workshops with the (sadly defunct) Arizona Highways Photoscapes. LeRoy is Navajo, and most of his work comes out of the stunningly beautiful Navajo lands.  Under his guidance, I’ve explored Monument Valley, Canyon De Chelly, and the Navajo Nation Fair, to name a few.  Serendipity and spontaneity seen to ride on LeRoy’s shoulders.  For example, at the Navajo Nation Fair he introduced himself and a part of the group to a Code Talker.  The late Mr. Etsicitty spent some time with us, explaining how the Navajo Language was used as code in World War II and giving us a chance to make portraits of him.  I’ve told this story in more detail before.

 

Colorado Autumn.  Jerry encouraged me up a treacherous slope to figure out this shot

It's tough to know where to start talking about Jerry Dodrill.  We met by chance in a workshop he taught for the exemplary outfit, Visionary Wild.  My relationship with Jerry, Like that with Kerrick, has delightfully blurred the line between client and friend.  Lucky me. From the depths of the Grand Canyon to his home turf in Central California, I’ve had a consistently great experience with Jerry.  He’s Joyous, energetic, and encourages me to push myself.  Jerry manages to be rigorous and playful at the same time. I’m looking forward to some time in California’s Mojave Desert with Jerry next week.

 

Arizona Highways Magazine is an increasingly rare publication in its support of photographers.  It is a pleasure and a privilege to work for them, and I couldn’t begin to list the relationships that have come from that.  For example, Jeff Kida, Photo Editor, and Pete Ensenberger (who previously held that title) have been generous teachers.  Pete does portfolio reviews with me that are terrific opportunities to learn from his extensive experience. Jeff has a wide range of experience and knowledge – I come home from our lunches with list of things to learn more about and with inspiration.  Priceless.

 

Cowboy Portrait, Composed on my own using Scott's wisdom

Scott Baxter is famous for his spectacular platinum-palladium prints, particularly of ranching life in Arizona.  I’ve done a couple of cowboy-themed workshops with him and have been consistently impressed with his uncompromising style.  He emphasizes the importance of knowing your subject and is a master of the portrait. He likes to give his pointers and let students apply them on our own. I’ve learned so much from him.

 

Great Smoky Mountain autumn.  I took this one out on my own after a week of group work

Colleen Miniuk is tough to sum up in a paragraph.  She brings enthusiasm and play to her teaching and at the same time a penchant for teaching scientific aspects of creativity and visual language. She has a knack for bringing people together, especially groups of women.

 

High-key composite inspired by Lisa

Most recently, I’ve worked with Lisa Langell, a particularly creative and energetic artist who has taught me about thinking outside the box.  I’ve enjoyed learning from her about photography of cowboy culture and hummingbirds. 

Well, that’s a lot, more folks than I expected to come up with when I first thought about this post. Each relationship feels like a blessing.

Thanks for riding along.