The poppy image, Peridot Mesa AZ |
What is subtle light, anyway?
We all know
what the converse is; the blatant, brazen images. Sometimes those are pumped-up photographs
with little connection to reality which we love to hate. Other times, they might be misunderstood by
those who are unfamiliar with the landscape depicted. The poppy image was featured on Outdoor
Photographer Magazine’s Facebook page as photo of the day. One viewer commented only “too much
Photoshop,” which I took to mean that the color seemed unbelievable. In fact, this image had only sharpening and
spot removal applied to it. This is, in fact, what it looked like.
Moonise over Cathedral Rock, Sedona AZ. There's not much that's subtle about this light. |
The commenter
was from the Northeast United States. I’ve
heard such comments from folks up there before, mostly in reference to the
mind-boggling color of southwest sunsets on red rock. They just don’t have that there. Likewise, my southwest desert-based mind has
to reset itself when I visit Central New York in the summer. Everything is bright green. Our brains are not able to process what they
are not accustomed to seeing.
A realistic depiction of Havasu Falls AZ |
One more
example comes from an invitation I received from our local office of the
American Lung Association to help promote Lung Force, a campaign which
uses the color turquoise to draw attention to lung cancer in women. The local ALA people thought this image of Havasu
Falls would tie the color campaign to our local landscape. I was very excited to contribute to this effort. Then I got a call; “National” didn’t want to
use the image because it looked fake.
Sometimes nature really is brazen.
Sometimes not.
I've been giving this some thought since the Moab Photo Symposium last
April. Open-hearted Bruce Hucko tossed
an off-handed complement my way, saying that he thought I was good at portraying
“subtle light.” I hope that’s true; I
certainly do appreciate delicate light, though I’m hard-pressed to offer a sturdy
definition. Instead, a couple of recent examples.
From Dead
Horse Point State Park (UT), a subtle sunrise.
Sometime we photographers are frustrated when clouds on the eastern
skyline diffuse the first light. I love
the pastel character here, though, and the fact that the quiet colors
don’t overwhelm the setting moon that rewards the viewer who lingers over this
one.
Marble
Canyon area, the eastern portion of Grand Canyon National Park. This one illustrates the magic of diffused
(by cloud cover) backlight. The canyon
is as breathtaking in quiet times as in the brazen.
There’s
more than one kind of drama.
Rebecca, you know what a fan I am of your work, but I LOVE the Perodit Mesa poppy image!
ReplyDeleteThanks, Lee! This was a "make lemonade" kind of moment - there were traffic delays and we got there too late for the good light on the wide landscape shot. I spent the morning shooting details with a diffuser. I rather like the way this one looks myself.
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